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First Time Visitor
An Introduction to Geomancy
Geomantic Roots - The Early Movers
Geomantic Roots - Second Generation
Geomantic Roots - The Seventies
Geomantic Roots - Other Americans
Geomantic Roots - Back to England
Astronomy
Introduction
Archaeoastronomy
Introduction
Cross Quarter Days
Interdimensional Travel
Ritual Time
Orthographic Projections
Introduction
Solstices & Equinoxes
The Cross-Quarter Days
Elevated Horizons
Major & Minor Standstills
Quarter & Cross-Quarter Days
Introduction
Samhain
Winter Solstice
Imbolc
Spring Equinox
Beltane
Summer Solstice
Lughnasad
Autumn Equinox
The Sixteenth Days
Quarter Days Dates & Times
Sunfinder
Introduction
Sunfinder Calculator
Sunfinder Formulas
Winter Solstice at Stony Littleton
Sacred Geometry
Introduction
Why Sacred Geometry?
∏ - pi
√2 - Sq Root 2
√3 - Sq Root 3
√5 - Sq Root 5
Ø - phi
The Great Pyramid
The Earth & The Moon
Numbers
Sacred Space
Introduction
Old Sacred Spaces
Silbury Hill Panorama
Glastonbury
Easter Aquorthies
New England
Old Labyrinths
Archaeoastronomy
New Sacred Spaces
New Sacred Spaces
Sacred Crops
Labyrinths
About Labyrinths
Construction & Terms
Where are they found?
Locating & building your labyrinth
Using Labyrinths
The Classical 7 Circuit
Chakras, Colours & Music
Chakras & Labyrinths
Final Terms
The Pilgrims' Path
11 Circuit Labyrinth
The Appleton
Using the Chartres Type
New thoughts on Classical vs. Chartres
Old Labyrinths
15 Circuit Labyrinths
Old Europe
Nazca & N. America
Gothic Cathedrals
Viking & Sweden
England
New Labyrinths
Older New Ones
USA
New Chartres Types
Modern European
Glastonbury Tor Labyrinth
Labyrinth Types
Mazes
Secular Space
Introduction
Dowsing
Earth Energies
Technopathic Stress
Sacred Crops
Dowsing
Introduction
Dowsing
Gnowing
The Pendulum
L Rods
Y Rods
Bobber/Wand
Aurameter
Earth Energies
Sacred Crops
Resources
Bibliography
Introduction
Anthropology & Mythology
Archaeoastronomy
Archaeology
Dowsing
Earth Mysteries
Geomancy
God/dess
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Sacred Geometry
Sacred Sites
Secular Geomancy
Books by Sig
Books & Supplies
Downloadable Books
Ethics
Events
Links
Professional Geomancers
Introduction
Ros Briagha
Marty Cain
Alex Champion
Peter Champoux
Richard Creightmore
Ivan McBeth
Patrick MacManaway
Chuck Pettis
Related Organisations
MAG E-zine
Index
2000
No 19: Autumn Equinox
No 18: Summer Solstice
No 17: Spring Equinox
1999
No 16: Winter Solstice
No 15: Samhain
No 14: Summer Solstice
No 13: Spring Equinox
1998
No 12: Winter Solstice
No 11: Autumn Equinox
No 10: Summer Solstice
No 9: Spring Equinox
1997
No 8: Winter Solstice
No 7: Autumn Equinox
No 6: Summer Solstice
No 5: Spring Equinox
1996
No 4: Winter Solstice
No 3: Autumn Equinox
No 2: Summer Solstice
No 1: Spring Equinox
Occasional papers
Those Enigmatic Stones
Musings on Burnt Hill
Tip o' the Week
Who Are We?
Contact Us
Site Map
Sunnybank Centre
Study with Sig Lonegren
Dowsing & Labyrinths
Tarot Readings
Work with Karin Lonegren
Psychic Bodywork
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Our MAG Mailing List is Now Called:

Tip o the Week

"I can't tell you how happy I am when one of your newsletters arrives. I print it out in color and leave it near my desk at home to see often for a few days. No idea exactly how or why, but it brings such a sense of 'Ah, yes, this is lovely to have in my life, just right, yes,' and the good feeling stays. Always brightens the day." (One of our Tip o' the Week recipients)

Tip o' the Week

In January, we stopped sending out our longer occasional Newsletters, and began to send a much shorter weekly e-mail covering just one of the topics we cover on our websites, SunnyBank Centre and Mid-Atlantic Geomancy.

Karin & Sig Lonegren
SunnyBank Centre
Glastonbury, England

This is another nice bit of feedback that we have received:

I have been receiving your newsletter for sometime and reading of your recent labyrinth building in Zennor spurred me into learning how to draw a labyrinth from your website.
I was then moved to find a labyrinth to walk and discoverd there was one in London the following day.( very near to where I live:-))
Well, since then, my experience of walking the labyrinth has had a profound effect upon me in so many ways.
(T.B.)

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